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Carine FOR VOGUE INDIA 2012 OCAK.

Mac ibis kırmızısı.Bu senenin olmazsa olmaz rengi..

BU ŞEKER RENGİ CHANELLERE BAYILDIM!

Ojelerden sonra bu çantalar ilaç gibi geldi..Fiyatları tabii çok çok yüksek ama Chanelin bu modelleri ile ilgilenenler lütfen bana mail atın yeterli.

mail adresim:

selink2005@hotmail.com

Çok çok güzel bir yaz yatırımı olabilir

Ysl chyc çantalar bu sene favorilerim arasında..

Bu kobalt mavisine de bayılıyorum.Bu çantadan bir adet var.İlgilenenler lütfen bana mesaj atın!

Ve bence çok çok iyi bir fiyata inen 29 tl etiketiyle indirimin JOKER’i payetli portföy.

Şehrinde ya da bulunduğu yerde tükenenlere bulundugum yerden alıp gönderim yapabilirim.

Bana mesaj atmanız yeterli.

179 TL ye inen bu baseball montu stilinde dizayn edilmiş BUBBLE COAT kesinlikle kaçırılmaması gerekenler arasında..Balenciaga ve benzer highclass markaların bu sene yine görücüye çıkarttığı bir model..

Kaçmaz.

Şeker renkleri … Bunları istiyorum!! Hem de hepsini…Mavi ,pembe,sarı ve tüm o güzel neon renkler..

Celine markası adı altında..Benim olun!

Chanel en sonunda beni hayal kırıklığına uğrattı.2012 sezon ojelerini hiç beğenmedim.

533.535 ve 539 ojelerin numaralarrı.Pembe turuncu ve kırmızı ama soluk tonlarda.Bu yaz çok renkli bir yaz olacağa benziyor ancak Chanelin adı ble bu koleksiyonu sevdiremedi.

Siz ne düşünüyorsunuz?

Cristóbal Balenciaga opened his first boutique in San Sebastián, Spain in 1918, which expanded to include branches in Madrid and Barcelona.^[2] The Spanish royal family and the aristocracy wore his designs, but when the Spanish Civil War forced him to close his stores, Balenciaga moved to Paris.^[3][2]

Balenciaga opened his Paris couture house on Avenue George V in August 1937, and his first runway show featured designs heavily influenced by the Spanish Renaissance.^[2] Balenciaga’s success in Paris was nearly immediate. Within two years, the French press lauded him as a revolutionary, and his designs were highly sought-after.^[2] Carmel Snow, the editor of Harper’s Bazaar was an early champion of his designs.^[4]

Customers risked their safety to travel to Europe during World War II to see Balenciaga’s clothing.^[2] During this period, he was noted for his “square coat,” with sleeves cut in a single piece with the yoke, and for his designs with black (or black and brown) lace over bright pink fabric.^[2]

However, it was not until the post-war years that the full scale of the inventiveness of this highly original designer became evident. His lines became more linear and sleek, diverging from the hourglass shape popularized by Christian Dior‘s “New Look“.^[2] The fluidity of his silhouettes enabled him to manipulate the relationship between his clothing and women’s bodies.^[2] In 1951, he totally transformed the silhouette, broadening the shoulders and removing the waist. In 1955, he designed the tunic dress, which later developed into the chemise dress^[2] of 1958. Other contributions in the postwar era included the spherical balloon jacket (1953), the high-waisted baby doll dress (1957), the cocoon coat (1957), the balloon skirt (1957), and the sack dress (1957).^[2] In 1959, his work culminated in the Empire line, with high-waisted dresses and coats cut like kimonos. His manipulation of the waist, in particular, contributed to “what is considered to be his most important contribution to the world of fashion: a new silhouette for women.”^[2]

In the 1960s, Balenciaga was an innovator in his use of fabrics: he tended toward heavy fabrics, intricate embroidery, and bold materials.^[2] His trademarks included “collars that stood away from the collarbone to give a swanlike appearance” and shortened “bracelet” sleeves.^[2] His often spare, sculptural creations—including funnel-shape gowns of stiff duchess satin worn to acclaim by clients such as Pauline de Rothschild, Bunny Mellon, Marella Agnelli, Gloria Guinness and Mona von Bismarck—were considered masterworks of haute couture in the 1950s and 1960s. In 1960 he designed the wedding dress for Queen Fabiola of Belgium made of ivory duchess satin trimmed with white mink at the collar and the hips. Jackie Kennedy famously upset John F. Kennedy for buying Balenciaga’s expensive creations while he was President because he feared that the American public might think the purchases too lavish. Her haute couture bills were eventually discreetly paid by her father-in-law, Joseph Kennedy.